Charlton Heston has died.
I always enjoyed Chuck in a film. He was all ham at times, but always fun to watch. He was ferociously principled, with old-fashioned notions about virtue. He always enjoyed dying in a film, considered it the most dramatic thing an actor could do.
Here's a photo of Chuck from The Omega Man, dead at the hands of a mutant:
I think that The Omega Man sort of encapsulated Chuck's later career: out of touch with the Left, fierce advocate of gun ownership, and self-reliant always.
He married early and stayed married, for over 64 years, to his beloved Lydia, who survives him.
Here's the trailer from The Omega Man:
Thank you for all the wonderful moments, Chuck. I'll miss you.
Update: I've been reading news stories for the last hour or so and want to quote Xan Brooks in the UK Guardian:
To his detractors, Heston could be an inflexible, monolithic presence, weighed down by his own mantle of heroism and pious sense of virtue. Others took a more charitable view. Assessing the actor's cultural impact, the critic Pauline Kael hailed him as "a god-like hero, built for strength. He is an archetype of what makes Americans win. He represents American power - and he has the profile of an eagle."
That just totally encapsulates the man. Good writing, there.
Update 2: Welcome, Instapundit readers!
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3 comments:
Soylent Green did it for me...especialy opening scene where Monsieur Heston is pedalling away on a bicycle generator to churn out a dim light from his one remaining globe...
He also was able to play noted homosexuals in a way that brought out their strength and integrity. 'The Agony and the Extacsy' has him struggling as an artist, well, as THE ARTIST Michelangelo.
I also like "Touch of Evil" as a Mexican police officer opposite Orson Welles. The first scene of that movie is a classic, taught in all the film classes.
You can't escape that symbolism at the end of Omega Man of Heston in the fountain of blood... blood used to saved humanity.
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